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Том 3 № 1 (2026)
ARAB TILINI O‘RGANISHNING DOLZARB MASALALARI: MUAMMOLAR, VAZIFALAR VA YECHIMLAR” MAVZUSIDAGI RESPUBLIKA TALABALAR ILMIY-AMALIY ANJUMANI MATERIALLARI

Articles

ИМРУЛ ҚАЙСНИНГ “ТЎХТАНГЛАР” МУАЛЛАҚОТИ ВА ДУНЁ ТИЛЛАРИГА ТАРЖИМАСИ: СУНЪИЙ ИНТЕЛЛЕКТ ЭКСПЕРТ РОЛИДА

DOI 10.63294/afucon/vol3iss1/593 Google Scholar Google Scholar Страницы 369-383

Опубликован 2026-03-03

Авторы
Йўлдошхўжаев Ҳайдархон Хошимхонович a , Хамидова Саида Мирсултон қизи b , Каримова Нодира Солижоновна c
Организации
a Мумтоз шарқ филологияси кафедраси мудири
b Янги аср университети, Филология ва тилларни ўқитиш (Араб филологияси) таълим йўналиши, 4-босқич талабалари
c Янги аср университети, Филология ва тилларни ўқитиш (Араб филологияси) таълим йўналиши, 4-босқич талабалари
PDF (английский)

Аннотация

This study is devoted to the comparative analysis of the translation of a selected excerpt from Imru’l-Qays’s “Qifā Nabki” (“Stop, You Two!”) into English, Russian, French, Turkish and Uzbek. Conducted with the assistance of artificial intelligence tools, the research examines the poetic features, semantic fidelity and lexical strategies in the translations in a comprehensive and systematic manner. The object of the study is the original text and its translations into the aforementioned languages. The subject includes the preservation of poetic elements in translation, the distinction between poetic and prose-based approaches, and the evaluation of translators’ stylistic and creative choices. The aim of the research is to analyze the representation of classical Arabic poetry in different languages, to identify the balance between semantic meaning and poetic form, and to evaluate the applicability of artificial intelligence in literary translation studies. The results show that the degree of poetic preservation and semantic fidelity varies across languages. The Uzbek translation retains rhythm and poetic form to a greater extent, while the Russian, English and French translations primarily focus on conveying meaning. The Turkish translation demonstrates a relatively balanced approach between form and content. These findings provide an opportunity for a systematic understanding of the representation of Arabic poetry in global translation studies.

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